LOS GATOS, CA—Following a year described by analysts as “the fever dream of a content algorithm run wild,” Netflix unveiled its most ambitious streaming lineup yet for 2025, daring viewers to ask, “Wait, is this still television?”

Anchoring the schedule is ‘KPop Demon Hunters,’ the animated musical in which a glam squad of K-pop idols moonlights as demon-fighting mercenaries between sold-out concerts. Acquired from Sony for the price of a half-empty bag of Lay’s and a coupon for free guac at Chipotle, the film has already inspired protests from both Satanists and BTS fans for being “unrealistically catchy.” According to Netflix spokesperson Riley Megapixel, “We realized our mission wasn’t to make sense, but to make memes.”

Also returning is the wildly popular live TV segment ‘Feast of Fists,’ featuring professional eaters grappling WWE wrestlers while attempting to scarf down 75 hot dogs in under two minutes. When asked about the show’s appeal, series host Chuck ‘The Bun Crusher’ Wallace said, “It’s just classic family entertainment—violence, indigestion, and occasional existential dread.”

Rounding out the lineup are 17 new reboots of “The Office,” each set in slightly different types of paper companies—one of which is run entirely by AI-generated holograms. “We feel we’ve only just scratched the surface of workplace monotony,” noted Netflix’s Head of Reboots, Janine Spreadsheet. She adds: “The real office was inside us the whole time.”

Critics have lauded the slate for its “relentless unpredictability,” though many admit they can’t tell if they’re streaming or hallucinating. As one confused subscriber put it: “I just wanted to watch a movie. Now my kids chant in Korean and I dream in Helvetica.”